Wednesday, 1 October 2014


Did anyone else see this Facebook burst from Sydney vintage fashion blogger NoraFinds a little while ago? I’m not often interested in rant-style posts, but this one got me thinking. To quote, she writes:

            “ Can I just say I hope all vintage kids would stop judging each other. No one is more vintage than others – to be truly vintage you have to actually live in the past, and we know that ain’t happening. We are all lovers of vintage fashion and culture and we need to support each other. So what if some of us mix vintage and modern? So what if some of us prefer the vintage pin up style than the everyday or the couture vintage? Do not be a vintage snob!”

Obviously respecting others and their styles is the key message here. Do you have a problem with certain styles? If so, why? I would love to hear your views.

What Nora really had me thinking was, what is your vintage style? How many versions of vintage are there?
Nora's style is described as..."She loves clothes, writing, music, sewing and food. Her favorite eras are 1940s and 1950s." 

Erin from Californian vintage style blog, Calivintage mixes and matches her thrifted finds with modern pieces, but always ooses cool west coast 90's vibes.
What is your take on vintage fashion? Do you have a certain style you stick to, or are you like me and mix it up? Is there an era or style that you would like to embrace?

My style is a definite mix of eras. I’ll wear anything from 1950’s cinched waist dresses and high-waisted skirts, to 1960’s A-Line shift dresses, 1980’s jump suits and 1990’s pant suits. I choose my style to suit my mood, and don’t feel I could be dedicated to one style as I love too many.

I quite often pair vintage items with modern pieces. I find the contrast of styles often suits my personality more than going all out for one era. I am yet to master any hair or make up styles that would be true to a complete “vintage” outfit, so the multiple clothing personalities allows my hair and makeup to remain minimal. I particularly find modern accessories, like belts and shoes (I’m not much of a jewelry wearer) help me stay current without detracting from an outfit.

Am I mad or do you do this too? I would love to hear your feedback so please comment below!

Whilst there will always be eras or pieces that either wouldn't suit me, or aren't my cup of tea, I think the key to wearing vintage is to wear it well, whatever your style! Appreciate others. If everyone liked the same thing how boring the world would be!

Monday, 22 September 2014


Please settle into your couch seat, your office chair or your bus stop bench. Lean on something comfortable or take a moment to pause. I am overwhelmingly excited to share with you Retrosmith's first interview, and to introduce you to the three piece crew from Bunker Records, Toowoomba's hot spot for vinyl and coffee lovers alike!

Who are the hearts and souls of Bunker Records? Tell us about yourselves!

Carl Larson - "I'm the resident music nerd at Bunker."
Alison Gillmore - "...but everyone calls me Arti. I'm a registered nurse by trade but also dancer and dj enthusiast."
Kirsty Lee takes a more philosophical approach.
"People and conversations. I love establishing a relationship with the general public. Not in the pursuit of obtaining anything more than them wanting to return to the space again. Its about establishing a genuine connection with people, sharing in the excitement of our towns cultural and community growth and our love of music."

In a nutshell, what is Bunker Records? 

Alison and Carl both agree - "Bunker Records is a record store, an espresso bar, a DIY project and a bit of family."
Kirsty - "We are hoping for it to be a nexus point to build a culture of music and conversation."

What do you offer? 

Kirsty - "Coffee, vinyl, players, accessories, conversation and soon to be in store music gigs and appreciation nights."
Alison - "...But also a place for like minded people to chat and listen to great music."

Who do you expect to walk in to Bunker Records? 

Carl - "Anyone with a taste for music and/or coffee is welcome."
Alison - "Our customer base seems to vary greatly. We get everyone from 13 year olds to the retired farmers looking to expand their collections."
Kirsty - "The beauty of music is that it is not bound. Our audience is varied, as is their taste is music….but we still share that common love of the wax.
Personally, I get a kick out of peoples faces when they walk in and reconnect with an album they may have listened to with their parents or grandparents."

How old is Bunker Records? The concept, its life at The Grid and the new Margaret Street store.

Kirsty - "Est. Nov 2013. As co-director of theGRID: hybrid arts collective inc. we had an available space and were keen to get a tenant. It is always about generating new interest and projects. There were very few bites on the space, and at the time we had a blackboard project running in our foyer. We were asking people to write what they wanted to see in our town. And with each clean slate of the blackboard, the ‘people’ would write a Record Store. Arti (Alison Gillmore) and I began thinking on it and were later linked to Carl through a mutual friend. And now we are street frontage on Margaret Street. With the city moving the way it is; redevelopments, our monthly Margaret Street markets, and the Empire Theatre’s Cultural Precinct …well it’s a great time to be amongst it."
Alison - "It basically started as a 'what if' idea. Kirsty was throwing around ideas one day of what could fill an empty space at the Grid and we somehow came around to 'Record Store', and we thought 'well ok, why not?'."

What was the reason for the new space? What prompted the move from The Grid

Carl - "As much as we all love The Grid, I think we were outgrowing it in terms of our ambitions for the shop; we were very obscure tucked away upstairs and at the mercy of the comings and goings of everyone else sharing the space."
Alison - "Not enough foot traffic. Even now people are walking in and amazed to learn we have been around for a year. They just had no idea we existed, and even the people who did would have trouble finding us."

The Margaret store fit out – tell us about it!
Who was involved? 

Carl - "We kept sub-contracting to a bare minimum (because we're all broke), so it was mostly an effort between the three of us, Stephen Payton and his family, and local artist Jesse Wright - we have a lot of love for that man."
Kirsty - "We had a quick turnaround time, and in addition to all working one or two more additional jobs or studies…well I look around the space today and I am still amazed at the amount of work we achieved. My son also helped out where he could. He’s rad like that."
Alison - "It was basically a hell of a lot of manual labor. There were many nights that Kirsty and I were there till well past 12am, scraping, painting, cleaning. Carl and Stephen hand made the installations and Jesse did all of our lighting and the beautiful gates. He is AMAZING."

Was there a plan?

Kirsty explains succinctly, "Strip / Paint / Clean / Stock / Open."
Carl - "Yes, but it was pretty fluid; the time between the signing of the lease and our planned opening was quite short, so we had to just crack on and improvise a little at times."
Alison - "There wasn't so much a plan as an idea of what we possibly wanted the space to look like and then adapting as we went depending on what we found under the layers and layers of existing walls/ceiling etc."

Where were the items/fittings sourced? 

Carl - "The great majority of them we made ourselves, almost everything besides the couch was made by either myself, Stephen or Jesse. Anything not custom made was sourced second hand or from local retailers."

On the topic of buying second hand versus new, Kirsty says "...without a thought. There was no inclination for us to hit commercial shops for stock."

Is there a story to the installation? 

Kirsty - "It all started with a throw rug, curry and wine."
Carl - "I'm not sure, there's probably a moral in there somewhere. Speaking only for myself, I've tried to make attractive pieces that serve their respective purposes well out of recycled or industrial materials like concrete, ply, hessian and recovered wood. We've aimed to keep things as unique and in-house as possible."

When I was in the Bunker taking photos for this article, Kirsty explained to me that the beautiful dark walls weren't always the plan. So I asked the team how they felt about their snap decision wall colour, changing from white to black.

Carl - "I love it, it makes it feel very cozy. White is a very clinical colour, plus black does a great job of disguising spots where the plastering gets a little patchy."
Alison - "Love it. It has turned out perfectly."
Kirsty - "Perfect. It’s a great vibe in there. Warm and cocoon like."

As a first timer to Bunker Records I felt I could crawl into a corner quite easily, sipping my cappuccino, scanning the backs of records and chilling to the music. It seemed too good to be true that anyone got to work in there! So I had to ask these lucky three, how does it feel to work in your new space? What’s the vibe? 

Carl - "It feels amazing for me, sitting in a shop that I helped build from scratch and seeing people really enjoying being in there is pretty satisfying."
Alison - "Alive. Apart from the fact the set up feels great to just be in, there is now a nice flow of people. Whether just walking past on the street or popping in to have a look."
Kirsty - "I have seen 3 pieces of new theatre over the past 2 weekends, either side of our Bunker opening. These shows all had a connection to the human spirit. And love. And people… and connecting with people. I found myself in each show overwhelmed with emotion, transparently so. And I realized this is the happiest I have felt in some time. It’s a great vibe. Toowoomba and our locals are excited, generous and supportive….and I think that’s kinda cool."

There are so many cozy corners at Bunker. What is your favourite part of the store? 

Carl - "So far I've really enjoyed people watching through the window from the bench seat at the front, coming from our little upstairs room I doubt the novelty of having a window is going to wear off anytime soon."
Alison - "Am loving the couch....."
Kirsty - "Probably the walls, I love seeing the imperfections of the wall….that seem so perfect to my eye."

Bunker Espresso is something that didn't exist in The Grid space. Did it evolve as a customer draw card or is it a (not so) secret vinyl lovers’ vice? 

Kirsty - "More than anything I think it was about encouraging people to sit in have a conversation and listen to music. It definitely allows for people to hang around for a lot longer."

Then we got down to the big question. Why vinyl? What makes you listen to a record versus a CD or iTunes tracks? 

Carl - "I'm a sucker for analogue, having a physical copy of something is just so nice, and it doesn't get more physical and analogue (as far as music is concerned) than vinyl. CDs wear out and you can easily download a digital copy of equivalent CD quality. You can't digitally replicate vinyl."
Alison - "I am fascinated by turtablism so for me I guess the vibe and being able to physically manipulate and play with the music."
Kirsty - "I often have this conversation with people. For me, when I put on a vinyl I sit and listen. Its about the chair, the coffee, the view and stillness. I have not listened to a CD in years, and with digital I am more inclined to put it on and then walk away."

What is your favourite track/artist/record on rotation in the store right now? 

Carl - "I love AA Bondy's album Believers, his songwriting is so vivid and emotive and the album is just hauntingly beautiful."
Alison - "New Orleans Funk Vol1. Currently playing this one to death."
Kirsty - I am loving Courtney Barnett’s A Sea of Split Peas, Bonobo Black Sands and Quantic’s 5th Exotic"

Which record would you recommend to a first time customer, old or new? 

Carl - "It depends on what they like to listen to. Grownass Man by The Shouting Matches is great, it's another project involving Justin Vernon (of Bon Iver), very catchy amplified blues with Justin Vernon's voice over the top, you can't go wrong!"
Alison - "Depends what they like I guess........New Orleans Funk Vol1" (laughs)  
Kirsty - "Definitely would be different for each customer."

It is clear that Carl, Alison and Kirsty are all helping lead the way for fresh, artistic, community-based endeavours to flourish here in Toowoomba. Their example is one that inspires. Their passion is infectious, and their success is being keenly watched by many. Are there any words of wisdom you would offer to a person or small business looking to help #changethistown? 

Carl - "Be nice. Making friends and having friends that are willing to help you is crucial but also pleasant."
Alison - "Think of what isn't currently on offer in the area and build from there."
Kirsty - "It really is about taking the risk. What is the worst you can lose?  Money.
At the end of the day we can’t take that to the other side."

Lastly, if there is anything you would like to share about Bunker's future, let us know! 

Carl - "We have a very exciting instore performance coming up in early November, stay tuned!"
Alison - "Everything is still evolving for us but there will definitely be some great gigs being hosted at Bunker in the near future."
Kirsty - "Keen to hear the new Aphex Twin album...a 13 year gap between their previous release…keen!" 

Thank you so much to Carl, Alison and Kirsty! If you're in Toowoomba and have yet to step into this remarkable space, please do not hesitate. It's a magical musical world of caffeinated bliss! I hope you enjoyed the first interview here on Retrosmith I'm extremely keen to meet more amazingly creative, entrepreneurial artisans. Watch this space!  
Courtesy of Bunker Records.
229 Margaret Street
Toowoomba QLD

Carl Larson 0412 054 852
Alison Gillmore 0421250840
Kirsty Lee 0404 902 286

Bunker Records open Tuesday-Saturday, 10:00am until 5:00pm
Bunker Espresso open Monday-Saturday, 7:00am until 5:00pm

Monday, 18 August 2014


I'm writing this post back in Brisbane, thinking how strange it was that only a few hours ago we were several states away! This morning we roamed around Melbourne town a bit more, checking for areas or things that we'd missed, and eventually found ourselves in the State Library of Victoria.  We had been to the library on Tuesday at the start of our walking tour, yet somehow completely forgot about it! We only had a couple of hours before we had to meet the courtesy bus, but that was plenty of time to appreciate the amazing architecture and free exhibitions available to view inside.

This is a ridiculously extraordinary building. Just quietly, this is one of many photos I took of the large scale herringbone timber floors... they are amazing. Sorry to the art on the wall, but you have competition.

I surprised myself by quite liking the use of the blue-based red paint on mass. It was very regal, very Union Jack, but quite rebellious as well I felt. I am a fan of loud colours (our back door is a very similar red), though am yet to determine my stance on their use as general wall colours. The skirting boards and architraves are more than enough to break up the boom, however, with the gilded frames managing not to look too pretentious.


Then there is the dome... oh my goodness. Libraries are quiet places, obviously, but I don't think I could have spoken loudly in here at all as the sheer size and detail had me in awe. The room is very conducive to wandering in circles staring at the ceiling.

This sounds like a ridiculous thing to mention, but what we couldn't work out was how they kept this room so clean! I'm talking walls, windows, ceiling, everything. It may have been deceiving, but that high domed ceiling didn't appear to have any spider webs on it!

It just so happened Ned was in the premises. Having only ever been a legend to us, seeing Mr Kelly's armour in the flesh, finding out about his life in more detail than "He was a bush ranger" made him far more interesting. No longer an Australian cliche, but an exhibit I would gladly recommend anyone check out.

For those interested in these kind of things, the library was a whole other museum we didn't really know existed within Melbourne! My mind is still boggled by the building itself. Standing in that dome, on the floor looking up and from the sixth floor balcony looking down, it commands a certain level of respect.

 Tomorrow we'll head back to Toowoomba, but for now, goodnight from Brisbane.


Sunday was a big family day for us. Big for me because I rarely get to see the Healesville branch of my family, and big for Dan because he'd never met the Healesville branch of my family. Fun all round! Thanks to my cousin Molly who drove us out to her family home to catch up with her parents and explore the area. Our first little trek was actually to the Melbourne water supply, which is in fact a really beautiful place to visit!

We headed in to town for some amazing food, and walked up and down the main street checking out the buildings and boutiques. Healesville is very quaint, and as I was being told, very pretty in Spring if you want to check it out in a couple of weeks. I did love it on this moody day, where everything was varying shades of grey.

After a wonderful lunch, we headed back to the house to chill out over tea and brownies. Theo the cat was in a mood, whilst Dan made himself a space on the couch with a comic.

After several brownies, photo album flashbacks, and cups of tea later, we headed back to Melbourne for our final night. I was immensely amused the entire way home by Molly's pet dinosaurs. Unfortunately the highway did not permit any decent photos, so this is as good as we're going to get.